Marcus wishes to actually retire this time and the violence is what is keeping Mike going. Maybe that's why this review may seem almost too positive for a film like this, but it's been a long time since a franchise has turned itself around this well.īad Boys for Life picks up in real-time, 17 years after the events of the previous film and nearly the entire cast has returned, which was nice to see. I still find them to be very entertaining, but lacking in many other areas. Upon the initial release of Bad Boys for Life, nearly 17 years since the release of Bad Boys II, I decided to revisit the previous two films. I enjoyed one and two for what they were, but I never felt the need to rewatch them over and over. That's not exactly what I believe, but there are some massive fans of these movies out there. While it didn't make a huge dent in the box office back in 1995, the first Bad Boys film is now revered by some as one of director Michael Bay's better films. Subrata Roy took it to another level, where he bypassed all banking systems and financial institutions, and went straight to the public and asked for money.What a strange ride the Bad Boys franchise has been. Remember all the paperwork it takes to open an account in any one of the 19 nationalised banks of India? But here, defrauding them seems far easier. This one surely makes one think, and wonder and then ultimately question if it is that easy to fraud a nationalised bank of Rs 9000 crore? And no one will notice anything? Nirav Modi allegedly kept on bribing employees of another nationalised bank for six years. All good documentaries make you pause and ponder.
BAD BOYS FOR LIFE NETFLIX SERIES
The documentary series brings home that truth and how. He is currently out on bail.īad Boy Billionaires: India is a refresher course on how some individuals can hold and wield too much power, that they seem to beyond reproach. He allegedly used that investment to fund his airlines, his dream project of Amby Valley and his company’s sponsorship of the Indian cricket team. Roy had the poorest of Indians invest in what can be called a ‘pyramid scheme’, where many had divested their hard-earned daily wages into a scheme which promised that their investment would ‘double or triple’ in a said amount of time. But kudos for trying to paint an authentic picture. Not sure if there was a time when the two brands overlapped in India. We see a dramatised version of a young Roy in his 30’s roaming around the UP hinterland on his Lambretta, and there is a Kinley water bottle in the basket of the scooter. The episode with Subrata Roy is the longest, and perhaps the one that impacts the aam junta the most.
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Eventually, it all came tumbling down, when a bank employee retires, and his successor is unable to provide the same ‘flexible’ and ‘easy’ terms to Modi. A lot is said about his attention to detail and how he too loved the high life. We meet people who worked with him, and some for him.
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We go through the whole gamut, as we see the meteoric rise of Mallya, and his eventual crash and the Rs 9000 crore loan that he had defaulted upon.Ī similar storyline is woven for Nirav Modi, this jeweller who had risen out of nowhere, and was even featured on the cover of Sothebys. Industry experts and other journalists who followed this story are featured in the episode. The episode with Mallya is particularly well done, as we hear from his son Sid Mallya, Kiran Majumder-Shaw (a family friend) and many people who were close to him. We get a sneak peek into the world of Vijay Mallya, and his lavish parties and how he craved glamour and liked being the centre of attention.
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It’s how the narrative is stitched that is noteworthy. The series crunches inches and inches of newsprint and hours and hours of news footage into a ‘Cliffs Notes’ version of what really happened. Divided into three separate episodes, the one with Mallya is called ‘The King of Good Times’, the one with Modi is aptly titled ‘Diamonds aren’t forever’, and the one featuring Roy is called ‘The world’s biggest family’. But what it does is, bring all that information together coherently and weave a pretty engrossing narrative. Everything that the makers showcase is very much available in the public domain. For starters, let’s make it clear that the series - which has a separate director for each individual episode - doesn’t shed any new light on these three newsmakers.